{"id":1062,"date":"2025-05-23T10:00:58","date_gmt":"2025-05-23T08:00:58","guid":{"rendered":"https:\/\/pecorari-cloudbr722.pecoraricloud.com.br\/~nathalie\/?p=1062"},"modified":"2025-07-18T17:07:17","modified_gmt":"2025-07-18T15:07:17","slug":"photography","status":"publish","type":"post","link":"https:\/\/nathalie.art\/es\/photography\/","title":{"rendered":"Fotograf\u00eda"},"content":{"rendered":"
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Fotograf\u00eda<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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H-photos Art Basel 2007, Suiza<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fotos H en MAM Bahia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Textos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tExiste un c\u00f3digo del artista que transporta el infinito de sus aspiraciones al universo que le rodea. Es un deseo de amor que a trav\u00e9s de un gesto metaf\u00edsico establece un puente con el mundo circundante. La obra de Petsire sigue este estado de \u00e1nimo.\n\nEs ante todo su verdad. Con ella confirma sus preocupaciones sobre la continuidad del planeta. Expresa bien lo que llamamos una \"acci\u00f3n sin palabras\", una obra que transcribe su vida en un verdadero diario de su existencia. Evidencia la b\u00fasqueda de la artista en este tema de infinitas posibilidades.\n\nLo impalpable que yace en la ra\u00edz de este contexto apasiona y ejerce un extra\u00f1o encanto, como si un im\u00e1n estuviera presente entre la superficie de la obra y la mente del observador, conduciendo a un territorio de placer y libertad interior.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tDudu Santos<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tEn el planteamiento formal propuesto por Nathalie Petsir\u00e9 Barends, subvierte diversos c\u00e1nones de la fotograf\u00eda contempor\u00e1nea, liber\u00e1ndolos de las cadenas museol\u00f3gicas de la preservaci\u00f3n y la conservaci\u00f3n. La posibilidad de manipular las obras y su comparaci\u00f3n a trav\u00e9s de la proyecci\u00f3n y la transparencia, libera a la fotograf\u00eda de su peso m\u00e1s pesado, el montaje perenne, siempre cuestionado por su propia fragilidad.\n\nEl observador se sit\u00faa frente a lo que podr\u00eda ser su propia imagen, en una actitud de interacci\u00f3n e integraci\u00f3n m\u00e1s pr\u00f3xima a una instalaci\u00f3n tridimensional o al arte vestible.\n\nFinalmente se supera la barrera f\u00edsica, y nos encontramos con una obra l\u00fadica de diversos atractivos est\u00e9ticos, donde nos encontramos junto al otro, el propio artista, como part\u00edcipes del proceso creativo, en una fusi\u00f3n de obra, autor y observador, que ahora se convierte en creador. Esto nos lleva a otra s\u00edntesis de la experiencia art\u00edstica, donde el autor, junto con su obra, se une al observador.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tFausto Chermont<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tLa teor\u00eda antigua sosten\u00eda que los objetos eran visibles porque los ojos emit\u00edan una radiaci\u00f3n capaz de revelarlos.\n\nEsto era, sin duda, m\u00e1s inspirador que el reverso \u00f3ptico real, donde somos miopes por la insistencia de los objetos, el atractivo de los colores y la exorbitancia de las luces.\n\nNathalie parece venir de esos buenos tiempos primigenios. Ella lanza una primera mirada -\u00edntima, curiosa y afectiva- a las cosas y a los seres que van a conformarse en tiempo real.\n\nLos libera como membranas de plasma, de luz, de colores y de matices, e incluso los se\u00f1ala diciendo:\n\n\"Os har\u00e9 del vac\u00edo, del vac\u00edo de luz, para que habit\u00e9is el mundo\".\n\nPues bien, \u00e9sta parece ser la tarea fatal de dioses y diosas. El artista no deber\u00eda, en estos tiempos de peque\u00f1os sue\u00f1os, exigirse menos a s\u00ed mismo.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tJo\u00e3o C\u00e2mara<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\"Hillu-Photos\"\n\nEl prefijo Hillu procede de Hillunat, una palabra que cre\u00e9 para representar un concepto que es la base de mi expresi\u00f3n art\u00edstica. Representa la forma en que interpreto y visualizo el flujo de la vida, donde las polaridades orbitan en torno a un centro com\u00fan para interactuar, unirse y armonizarse.\n\nSu significado procede de las palabras iluminar y naturaleza. La \"H\" representa palabras que considero esenciales para vivir una vida luminosa, como Salud, Felicidad, Armon\u00eda, Coraz\u00f3n, Humano, Honestidad y Esperanza...\n\nLas \"Hillu-fotos\" invitan a participar del proceso creativo celebrando el deleite de percibirse conscientemente vivo.\n\nFotograf\u00edo como si la c\u00e1mara fuera un tercer ojo que sigue el movimiento natural de la vista. Las im\u00e1genes impresas sobre materiales transparentes trascienden el plano bidimensional, interactuando con el observador y el entorno en el que se instalan.\n\nEn esta serie, el tema principal es la naturaleza del ser, y su hogar, el cuerpo. Me gusta imaginar que el ser humano es como un rayo de luz que se ha materializado con el prop\u00f3sito de iluminar la materia, redescubrir su propia esencia y evolucionar.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tNatHalie Petsir\u00e9<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Photography H-photos Art Basel 2007, Switzerland H-photos at MAM Bahia Texts An artist’s code exists, that transports the infinite of his aspirations to the universe that surrounds him. It’s a wish for love that through a metaphysical gesture establishes a bridge with the surrounding world. The work of Petsire follows this mood. It’s above all […]<\/p>","protected":false},"author":5,"featured_media":1150,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[19,20],"class_list":["post-1062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art","tag-photography"],"yoast_head":"\nPhotography - NatHalie Braun Barends<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nathalie.art\/es\/photography\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Photography - NatHalie Braun Barends\" \/>\n<meta property=\"og:description\" content=\"Photography H-photos Art Basel 2007, Switzerland H-photos at MAM Bahia Texts An artist’s code exists, that transports the infinite of his aspirations to the universe that surrounds him. 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