{"id":1035,"date":"2025-05-24T10:39:18","date_gmt":"2025-05-24T08:39:18","guid":{"rendered":"https:\/\/pecorari-cloudbr722.pecoraricloud.com.br\/~nathalie\/?p=1035"},"modified":"2025-07-18T17:03:49","modified_gmt":"2025-07-18T15:03:49","slug":"objects","status":"publish","type":"post","link":"https:\/\/nathalie.art\/fr\/objects\/","title":{"rendered":"Objets"},"content":{"rendered":"
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Objets<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Les runes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Introduction aux courses<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Les runas sont des inscriptions alphab\u00e9tiques de l'Antiquit\u00e9, issues de la langue proto-germanique, qui \u00e9tait utilis\u00e9e dans les r\u00e9gions du nord de l'Europe et qui a inspir\u00e9 les alphabets grec et latin. Elles ont \u00e9t\u00e9 utilis\u00e9es par les trois principaux groupes qui se sont form\u00e9s \u00e0 la suite des invasions celtes : le nordique - des peuples vikings et escandinaves, le gothique - dont l'ap\u00f4tre Ulfilas a construit l'alphabet gothique \u00e0 partir des langues, et le v\u00e9sique - des peuples anglo-saxons, qui ont reproduit leurs traditions orales dans des manuscrits.<\/p>

Mon travail utilise comme r\u00e9f\u00e9rence l'alphabet rouge Futhark, d\u00e9riv\u00e9 des inscriptions de la pedra de Kilver (s\u00e9culo V), trouv\u00e9e \u00e0 Gotl\u00e2ndia, ilha sueca no Mar B\u00e1ltico. Cet alphabet a \u00e9t\u00e9 principalement utilis\u00e9 \u00e0 des fins magiques, rituelles et religieuses. Largement utilis\u00e9es sous forme d'oracle, elles portent le nom d'\u00e9l\u00e9ments et de manifestations de la nature, repr\u00e9sentant des concepts abstraits, de nature symbolique, qui facilitent la communication avec la sagesse int\u00e9rieure. Le mot runa fait r\u00e9f\u00e9rence \u00e0 la s\u00e9gr\u00e9gation, au myst\u00e8re, au secret. Ce langage invite \u00e0 ne pas laisser flotter son intuition et \u00e0 se comporter comme un guerrier spirituel, dont le grand objectif est de conqu\u00e9rir l'unit\u00e9 par l'autoconception, en suivant le chemin de l'essence, sur la voie de la lumi\u00e8re et de l'amour universel. En r\u00e9f\u00e9rence aux inscriptions originales r\u00e9alis\u00e9es principalement sur du madrier, du m\u00e9tal et du papier, il utilise le juta et le tela, l'ac\u00e9tate et les pinladas, l'isopore et les objets, les noyaux et les espaces, qui repr\u00e9sentent l'\u00e9motion, la raison, le corps physique et l'esprit dans la transformation de l'\u00eatre humain par l'\u00e9l\u00e9vation et l'augmentation de ses dimensions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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NatHalie \"BH\u00eatzir\u00e9\" Barends et l'art Dialogue de po\u00e8mes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La po\u00e9sie est consid\u00e9r\u00e9e comme un moyen d'action. Cette po\u00e9sie se retrouve dans l'art de Nathalie BHetzire Barends gr\u00e2ce \u00e0 sa grande cr\u00e9ativit\u00e9.<\/p>

Les diff\u00e9rentes langues, formes et mat\u00e9riaux sont en dialogue, comme dans une collection d'\"aper\u00e7us\" cr\u00e9atifs, qui se mat\u00e9rialisent dans les b\u00e2timents, les objets et les photographies de fond.<\/p>

La source d'inspiration de ces \u0153uvres d'art est l'\"esprit d'art\", un mot d'Alois Riegl qui d\u00e9finit l'impulsion en tant qu'\u0153uvre d'art. Il s'agit d'un chemin interminable qui m\u00e8ne \u00e0 la d\u00e9couverte d'un univers de magie et d'harmonie, d'\u00e9nergies et d'\u00e9l\u00e9ments cosmiques r\u00e9guliers, qui conduisent \u00e0 une exp\u00e9rience spirituelle profonde.<\/p>

Les travaux de Nathalie BH\u00eatzir\u00e9 Barends sont un chemin vers le monde m\u00e9taphysique : plein de g\u00e9hennes et d'interpr\u00e9tations.<\/p>

Les images repr\u00e9sentent l'alchimie des formes et des couleurs - une g\u00e9ographie des formes ext\u00e9rieures et int\u00e9rieures, des \u00e9nergies avec des formes d\u00e9finies, le plus souvent \u00e9sot\u00e9riques. Le terme \"Hillumap\" est le plus utilis\u00e9. Ce terme a \u00e9t\u00e9 invent\u00e9 par Nathalie BH\u00eatzir\u00e9 Barends et sert de base \u00e0 ses projets artistiques. Son interpr\u00e9tation de la \"fl\u00fbte de la mutation de la vie\", dans laquelle les diff\u00e9rents p\u00f4les d'un centre commun s'entrechoquent et s'unissent dans une interaction harmonieuse.<\/p>

La notion est issue des mots \"Beleuchten\" et \"Natur\". Der Buchstabe \"H\", stellt in Englisch W\u00f6rter dar, die als wesentlich f\u00fcr eine h\u00f6here, leuchtendere Existenz empfinden werden, wie z.B. Health, Happiness, Harmonie, Heart, Hope, ... Nathalie BH\u00eatzir\u00e9 Barends baut mit den Bildern ein \"Fahrplan\" auf, ein Weg zum Aufstieg, welcher sich in der Arbeit der K\u00fcnstlerin als intuitive Form erkl\u00e4rt und mitteilt.<\/p>

Les \"Runen\" sont repr\u00e9sent\u00e9s dans diff\u00e9rentes situations de crise. L'artiste a associ\u00e9 le \"petit pain\" au symbole des alphabets et aux dimensions plus grandes d'Orakels et a cr\u00e9\u00e9 une symbolique artistique \u00e0 l'aide d'\u00e9l\u00e9ments simples et interactifs. Cette symbolique est ax\u00e9e sur l'environnement et permet au public de m\u00e9diter sur ses propres caract\u00e9ristiques.<\/p>

Le th\u00e8me des photos est le corps. Cette personne est consid\u00e9r\u00e9e comme son propre \"\u00eatre\" et suit sa propre architecture de vie, qui comprend \"l'\u00eatre comme le c\u0153ur de la vie\". Les photographies pr\u00e9sent\u00e9es montrent la transcendance de la physiologie et de l'anatomie corporelle. Ces derni\u00e8res sont rendues difficiles par les diff\u00e9rentes formes d'expression, ainsi que par le traitement des images. Nathalie BHetzire Les Barends font appel aux \u00e9nergies cosmiques, qui font vivre et vibrer le corps, ainsi qu'\u00e0 la symbiose entre la mati\u00e8re et l'\u00e9nergie, qui doit \u00eatre maintenue dans le corps, afin de l'aider \u00e0 s'exprimer.<\/p>

Im Dialog der Poesien, Kunstwerk von Nathalie BH\u00eatzir\u00e9, wurden Hoffnungen vom Humanismus des 3. Jahrhunderts angezeigt, die non pas die Technologie entledigt sondern \u00fcber sie handelt und mit dem Erbe der magischen Tradition und der metaphysischen Welt verbindet.<\/p>

Professorin Dr. Daisy Peccinini
Professeur d'histoire de l'art \u00e0 l'universit\u00e9 de S\u00e3o Paulo, critique d'art, conservateur du mus\u00e9e d'art contemporain de S\u00e3o Paulo et membre de l'AICA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Objects The Runes Introdu\u00e7\u00e3o \u00e0s Runas As runas s\u00e3o inscri\u00e7\u00f5es alfab\u00e9ticas da Antiguidade, com origem na linguagem Proto – Germanica, que era falada nas Regi\u00f5es do Norte da Europa, e provavelemente teve inspira\u00e7\u00e3o nos alfabetos Grego e Latino. Foram utilizadas pelos tr\u00eas principais ramos que se formaram ap\u00f3s as invas\u00f5es celtas: o n\u00f3rdico – dos […]<\/p>","protected":false},"author":5,"featured_media":9129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[19,21],"class_list":["post-1035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art","tag-objects"],"yoast_head":"\nObjects - NatHalie Braun Barends<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nathalie.art\/fr\/objects\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Objects - NatHalie Braun Barends\" \/>\n<meta property=\"og:description\" content=\"Objects The Runes Introdu\u00e7\u00e3o \u00e0s Runas As runas s\u00e3o inscri\u00e7\u00f5es alfab\u00e9ticas da Antiguidade, com origem na linguagem Proto – Germanica, que era falada nas Regi\u00f5es do Norte da Europa, e provavelemente teve inspira\u00e7\u00e3o nos alfabetos Grego e Latino. 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