{"id":1062,"date":"2025-05-23T10:00:58","date_gmt":"2025-05-23T08:00:58","guid":{"rendered":"https:\/\/pecorari-cloudbr722.pecoraricloud.com.br\/~nathalie\/?p=1062"},"modified":"2025-07-18T17:07:17","modified_gmt":"2025-07-18T15:07:17","slug":"photography","status":"publish","type":"post","link":"https:\/\/nathalie.art\/fr\/photography\/","title":{"rendered":"Photographie"},"content":{"rendered":"
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Photographie<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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H-photos Art Basel 2007, Suisse<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Photos H \u00e0 MAM Bahia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tIl existe un code de l'artiste qui transporte l'infini de ses aspirations dans l'univers qui l'entoure. C'est un v\u0153u d'amour qui, par un geste m\u00e9taphysique, \u00e9tablit un pont avec le monde qui l'entoure. L'\u0153uvre de Petsire suit cet \u00e9tat d'esprit.\n\nElle est avant tout sa v\u00e9rit\u00e9. Elle y confirme ses inqui\u00e9tudes sur la p\u00e9rennit\u00e9 de la plan\u00e8te. Elle exprime bien ce que l'on appelle une \"action sans paroles\", une \u0153uvre qui transcrit sa vie en un v\u00e9ritable journal de son existence. Elle t\u00e9moigne de la recherche de l'artiste dans ce th\u00e8me des possibilit\u00e9s infinies.\n\nL'impalpable qui se trouve \u00e0 la racine de ce contexte passionne et exerce un \u00e9trange enchantement, comme si un aimant \u00e9tait pr\u00e9sent entre la surface de l'\u0153uvre et l'esprit de l'observateur - conduisant \u00e0 un territoire de plaisir et de libert\u00e9 int\u00e9rieure.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tDudu Santos<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tDans l'approche formelle propos\u00e9e par Nathalie Petsir\u00e9 Barends, elle subvertit diff\u00e9rents canons de la photographie contemporaine, les lib\u00e9rant des cha\u00eenes mus\u00e9ologiques de la pr\u00e9servation et de la conservation. La possibilit\u00e9 de manipuler les \u0153uvres et leur comparaison par la projection et la transparence, lib\u00e8re la photographie de son poids le plus lourd, la monture p\u00e9renne, toujours remise en question du fait de sa propre fragilit\u00e9.\n\nL'observateur est plac\u00e9 devant ce qui pourrait \u00eatre sa propre image, dans une attitude d'interaction et d'int\u00e9gration qui se rapproche d'une installation tridimensionnelle ou de l'art vestimentaire.\n\nEnfin, la barri\u00e8re physique est d\u00e9pass\u00e9e et nous rencontrons une \u0153uvre ludique aux attraits esth\u00e9tiques vari\u00e9s, o\u00f9 nous nous retrouvons avec l'autre, l'artiste lui-m\u00eame, en tant que participants au processus cr\u00e9atif, dans une fusion de l'\u0153uvre, de l'auteur et de l'observateur, qui devient maintenant cr\u00e9ateur. Cela nous conduit \u00e0 une autre synth\u00e8se de l'exp\u00e9rience artistique, o\u00f9 l'auteur, avec son \u0153uvre, s'unit \u00e0 l'observateur.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tFausto Chermont<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tLa th\u00e9orie antique soutenait que les objets \u00e9taient visibles parce que les yeux \u00e9mettaient un rayonnement capable de les r\u00e9v\u00e9ler.\n\nC'\u00e9tait sans doute plus inspirant que l'actuel revers optique, o\u00f9 nous sommes myopes devant l'insistance des objets, l'attrait des couleurs et l'exorbitance des lumi\u00e8res.\n\nNathalie semble venir de ces bons moments primitifs. Elle jette un premier regard - intime, curieux et affectif - sur les choses et les \u00eatres qui sont \u00e0 conformer en temps r\u00e9el.\n\nElle les d\u00e9gage comme des membranes de plasma, de lumi\u00e8re, de couleurs et de nuances, et les montre m\u00eame du doigt en disant :\n\n\"Je vous ferai na\u00eetre du vide, du vide de lumi\u00e8re, pour que vous habitiez le monde.\n\nEh bien, cela semble \u00eatre la t\u00e2che fatale des dieux et des d\u00e9esses. L'artiste ne doit pas, en ces temps de petits r\u00eaves, exiger moins de lui-m\u00eame.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tJo\u00e3o C\u00e2mara<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\"Hillu-Photos\n\nLe pr\u00e9fixe Hillu vient de Hillunat, un mot que j'ai cr\u00e9\u00e9 pour repr\u00e9senter un concept qui est \u00e0 la base de mon expression artistique. Il repr\u00e9sente la fa\u00e7on dont j'interpr\u00e8te et visualise le flux de la vie, o\u00f9 les polarit\u00e9s orbitent autour d'un centre commun pour interagir, s'unir et s'harmoniser.\n\nSa signification vient des mots \"illuminer\" et \"nature\". Le \"H\" repr\u00e9sente des mots que je consid\u00e8re comme essentiels pour vivre une vie lumineuse, tels que Sant\u00e9, Bonheur, Harmonie, C\u0153ur, Humain, Honn\u00eatet\u00e9, et Espoir...\n\nLes \"Hillu-photos\" invitent \u00e0 participer au processus cr\u00e9atif c\u00e9l\u00e9brant le plaisir de se percevoir consciemment vivant.\n\nJe photographie comme si l'appareil photo \u00e9tait un troisi\u00e8me \u0153il qui suit le mouvement naturel de la vue. Les images imprim\u00e9es sur des mat\u00e9riaux transparents transcendent le plan bidimensionnel, interagissant avec l'observateur et l'environnement dans lequel elles sont install\u00e9es.\n\nDans cette s\u00e9rie, l'accent est mis sur la nature de l'\u00eatre et de son foyer, le corps. J'aime imaginer que l'\u00eatre humain est comme un rayon de lumi\u00e8re qui s'est mat\u00e9rialis\u00e9 dans le but d'illuminer la mati\u00e8re, de red\u00e9couvrir sa propre essence et d'\u00e9voluer.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tNatHalie Petsir\u00e9<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Photography H-photos Art Basel 2007, Switzerland H-photos at MAM Bahia Texts An artist’s code exists, that transports the infinite of his aspirations to the universe that surrounds him. It’s a wish for love that through a metaphysical gesture establishes a bridge with the surrounding world. The work of Petsire follows this mood. It’s above all […]<\/p>","protected":false},"author":5,"featured_media":1150,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[19,20],"class_list":["post-1062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art","tag-photography"],"yoast_head":"\nPhotography - NatHalie Braun Barends<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nathalie.art\/fr\/photography\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Photography - NatHalie Braun Barends\" \/>\n<meta property=\"og:description\" content=\"Photography H-photos Art Basel 2007, Switzerland H-photos at MAM Bahia Texts An artist’s code exists, that transports the infinite of his aspirations to the universe that surrounds him. 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