The latter experiences the complex events and the work’s various levels of meaning by strolling through the Museum and its exhibition levels,but also by permanently altering his own vantage point, movements and observations around the respective light center in a work level.

It is only through the combination of diverse images, views and aesthetic impressions of the highly disparate exhibition and work levels in the Museum that the installation can be experienced in all its complexity.

The installation, which is to be seen as an extension of the traditional sculpture, a spatial-temporal environment, illustrates in a refreshingly natural and unconventional manner how works of art evolve and the importance of the artwork per se.

Moreover the artist seeks, with her work, to make the viewer conscious of the ”microcosm“ museum as “a place of collective memory” and the simultaneity of art assembled in dialog and stemming from different times, cultures and media.

She also wishes to point to the inherent laws in art and nature, to the organism of life, not to mention the cyclical rhythms in nature.

We experience ”HHole“ as a multimedia and multisensory work that we can observe and assimilate from various positions.

Simultaneously, it addresses the role of the museum today, its inherent history and historicity and also the various levels of reality unfolding within it.