{"id":1062,"date":"2025-05-23T10:00:58","date_gmt":"2025-05-23T08:00:58","guid":{"rendered":"https:\/\/pecorari-cloudbr722.pecoraricloud.com.br\/~nathalie\/?p=1062"},"modified":"2025-07-18T17:07:17","modified_gmt":"2025-07-18T15:07:17","slug":"photography","status":"publish","type":"post","link":"https:\/\/nathalie.art\/pt\/photography\/","title":{"rendered":"Fotografia"},"content":{"rendered":"
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Fotografia<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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H-photos Art Basel 2007, Su\u00ed\u00e7a<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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H-photos no MAM Bahia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Textos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tExiste um c\u00f3digo do artista que transporta o infinito de suas aspira\u00e7\u00f5es para o universo que o cerca. \u00c9 um desejo de amor que, por meio de um gesto metaf\u00edsico, estabelece uma ponte com o mundo ao redor. A obra de Petsire segue esse estado de esp\u00edrito.\n\n\u00c9, acima de tudo, sua verdade. Com ele, ela confirma suas preocupa\u00e7\u00f5es com a continuidade do planeta. Ela expressa bem o que chamamos de \"a\u00e7\u00e3o sem palavras\", uma obra que transcreve sua vida em um verdadeiro di\u00e1rio de sua exist\u00eancia. Ela evidencia a busca da artista por esse tema de infinitas possibilidades.\n\nO impalp\u00e1vel que est\u00e1 na raiz desse contexto apaixona e exerce um estranho encantamento, como se um \u00edm\u00e3 estivesse presente entre a superf\u00edcie da obra e a mente do observador - levando a um territ\u00f3rio de prazer e liberdade interior.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tDudu Santos<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tNa abordagem formal proposta por Nathalie Petsir\u00e9 Barends, ela subverte v\u00e1rios c\u00e2nones da fotografia contempor\u00e2nea, liberando-os das cadeias museol\u00f3gicas de preserva\u00e7\u00e3o e conserva\u00e7\u00e3o. A possibilidade de manipular as obras e sua compara\u00e7\u00e3o por meio de proje\u00e7\u00e3o e transpar\u00eancia libera a fotografia de seu maior peso, a montagem perene, sempre questionada por sua pr\u00f3pria fragilidade.\n\nO observador \u00e9 colocado diante do que poderia ser sua pr\u00f3pria imagem, em uma atitude de intera\u00e7\u00e3o e integra\u00e7\u00e3o que se aproxima de uma instala\u00e7\u00e3o tridimensional ou de uma arte vest\u00edvel.\n\nFinalmente, a barreira f\u00edsica \u00e9 ultrapassada e nos deparamos com uma obra l\u00fadica de v\u00e1rios apelos est\u00e9ticos, onde nos encontramos com o outro, o pr\u00f3prio artista, como participantes do processo criativo, em uma fus\u00e3o de obra, autor e observador, que agora se torna criador. Isso nos leva a outra s\u00edntese da experi\u00eancia art\u00edstica, onde o autor, junto com sua obra, se une ao observador.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tFausto Chermont<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tA teoria antiga sustentava que os objetos eram vis\u00edveis porque os olhos emitiam uma radia\u00e7\u00e3o capaz de revel\u00e1-los.\n\nIsso era, sem d\u00favida, mais inspirador do que o reverso \u00f3ptico atual, em que somos m\u00edopes pela insist\u00eancia dos objetos, pelo apelo das cores e pela exorbit\u00e2ncia das luzes.\n\nNathalie parece ter vindo desses bons tempos primitivos. Ela lan\u00e7a um olhar inicial - \u00edntimo, curioso e afetivo - para coisas e seres que devem ser conformados em tempo real.\n\nEla os libera como membranas de plasma, de luz, de cores e de sombras, e at\u00e9 aponta para eles dizendo:\n\n\"Eu os farei do vazio, do v\u00e1cuo de luz, para que voc\u00eas habitem o mundo\".\n\nBem, essa parece ser a tarefa fatal dos deuses e deusas. O artista n\u00e3o deve, durante esses tempos de sonhos pequenos, exigir menos de si mesmo.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tJo\u00e3o C\u00e2mara<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\"Hillu-Photos\"\n\nO prefixo Hillu vem de Hillunat, uma palavra que criei para representar um conceito que \u00e9 a base de minha express\u00e3o art\u00edstica. Ele representa a maneira como interpreto e visualizo o fluxo da vida, em que as polaridades orbitam em torno de um centro comum para interagir, unir-se e harmonizar-se.\n\nSeu significado vem das palavras illuminate (iluminar) e nature (natureza). O \"H\" representa palavras que considero essenciais para viver uma vida luminosa, como Sa\u00fade, Felicidade, Harmonia, Cora\u00e7\u00e3o, Humano, Honestidade e Esperan\u00e7a...\n\nAs \"Hillu-photos\" convidam a participar do processo criativo, celebrando o prazer de perceber-se conscientemente vivo.\n\nFotografo como se a c\u00e2mera fosse um terceiro olho, seguindo o movimento natural da vis\u00e3o. As imagens impressas em materiais transparentes transcendem o plano bidimensional, interagindo com o observador e o ambiente em que est\u00e3o instaladas.\n\nNessa s\u00e9rie, o foco principal \u00e9 a natureza do ser e seu lar, o corpo. Gosto de imaginar que o ser humano \u00e9 como um raio de luz que foi materializado com o prop\u00f3sito de iluminar a mat\u00e9ria, redescobrir sua pr\u00f3pria ess\u00eancia e evoluir.\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tNatHalie Petsir\u00e9<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Photography H-photos Art Basel 2007, Switzerland H-photos at MAM Bahia Texts An artist’s code exists, that transports the infinite of his aspirations to the universe that surrounds him. It’s a wish for love that through a metaphysical gesture establishes a bridge with the surrounding world. The work of Petsire follows this mood. It’s above all […]<\/p>","protected":false},"author":5,"featured_media":1150,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[19,20],"class_list":["post-1062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art","tag-photography"],"yoast_head":"\nPhotography - NatHalie Braun Barends<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nathalie.art\/pt\/photography\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Photography - NatHalie Braun Barends\" \/>\n<meta property=\"og:description\" content=\"Photography H-photos Art Basel 2007, Switzerland H-photos at MAM Bahia Texts An artist’s code exists, that transports the infinite of his aspirations to the universe that surrounds him. 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